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Why We Left

Untold Stories and Songs of America's First Immigrants

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1 of 1 copy available
1 of 1 copy available

A grounded, tender, and mournful reckoning with the catastrophes that launched poor, white Anglos into their role as itinerant foot soldiers for modern imperialism—now in paperback with a new preface

Joanna Brooks's ancestors were among the early waves of emigrants to leave England for North America. For generations, they lived hardscrabble lives, eking out subsistence in one place after another as they continually moved west in search of a better life. Why, Brooks wondered, did her people and countless other poor English subjects abandon their homeland for such unremitting hardship? The question leads her on a journey through an obscure dimension of American history.

Why We Left reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, presenting a powerful restorying of how we arrived at our present moment of precarity and rootlessness. Following American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience, Brooks offers a scholarly and personal account of the intergenerational traumas that shape the history of white Anglos on Turtle Island.

She shares folk ballads such as "Edward," which reveals the influence of deforestation on the dislocation of early Anglo-American peasant immigrants, and "The House Carpenter's Wife," which emphasizes the impact of economic instability and the colonial enterprise on women. From these ballads, tragic and heartrending, Brooks uncovers an archaeology of the worldviews of America's earliest immigrants. This tenth-anniversary edition includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew.

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    • Publisher's Weekly

      June 10, 2013
      Brooks (American Lazarus) makes an intriguing case that, rather than a land of opportunity, colonial America represented a harsh sanctuary. Drawing upon the archives of colonial ballads, she describes the circumstances that propelled 400,000 English across the Atlantic in pre-Revolutionary times. Like today's country music, lyrics of that era relate tales of murder, rivalry, false promises, and cheating hearts. Brooks also uses her own lineage to illustrate the hardship of life circa 1770. With unprecedented population growth and an economy that shifted from subsistence to exports, 18th century England produced a new class of landless laborers, which included her forefathers. The old songs were kept alive by 20th century folk singers such as Davy Crockett Ward, his wife Lina, Bascom Lamar Lunsford, Attie Crane, and Horton Barker. In the 1930s folklorist Alan Lomax moved his School of the Air radio show to Virginia to collect the traditional tunes now stored at the Library of Congress. That collection includes the ballad of Two Sisters and a Beaver Hat, which concludes: "Then young men have a care/of painted curled Locks. For such, though faire above, below may have the Pox." These ballads may be the best surviving records of what brought so many here.

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